I’ve been a little light on inspiration recently – so I asked a friend for a challenge. He proposed a map on a theme of a Pirate Treasure Map, with the following outline:
“It’s underground, the lair of a sea hag with hanging sea weed. Her lair is made of the remains of a ship wreck. The maiden’s head is a dragon. Theriver from the underground leads into the sea. The cave entrance has stalactites/stalagmites making it look like a toothy maw.”
Drawing hills on a map can be a challenge. Unlike forests and mountains, there aren’t really any hard edges. On a line art map that causes some difficulty. Even when you add in light, shade, and colour, it’s not obvious how best to represent hills. Here’s four different styles that you can use as a basis to draw hills on your map. Continue reading “Four Different Ways To Draw Hills On A Map”
Blackcliff Academy lies at the crux of the story. It is the training ground of the Masks, a sinister force in the book, and one that must be infiltrated. I won’t go further (so no spoilers), but the different locations in the academy are quite important – as is the secret stairway. Continue reading “Mapping Blackcliff Academy for An Ember in the Ashes”
I’ve always wanted a tablet I could use for illustration. I bought the second generation iPad, hoping it would do the trick. I picked up all the art apps, and a range of styluses – from the Adonit Jot Touch Pro (my thoughts here), to 53’s Pencil – with 53’s Paper.
Paper was by far the best app for the iPad, because it threw precision out the window, and accepted what the iPad is – a sketchpad rather than a professional illustration tool. When I saw the iPad Pro come out, I was skeptical.
A 15 minute sketch with Pencil and an iPad Pro, in the Apple Store, using Adobe Sketch
15 minutes trying it out in the store had me intrigued – so last weekend I picked it up. I was more than a little nervous. At $949 for the 128Gb iPad Pro, and $99 for the Apple Pencil – this could be a very expensive paper weight.
After a week I’m hooked. This, finally, is the device that makes drawing on a tablet painless.
I can never predict my next client – something that came very true when I was approached by Inkshares to create a map for Gary Whitta’s debut novel Abomination. Now Gary has an interesting background: writer for Star Wars, Book of Eli, and – of course – After Earth, for which I did the expanded universe maps. Though we both have 1 degree of Will Smith, it turned out that it was pure chance that Inkshares came to me for a map of Danelaw Britain.
Most of the maps I create are for commissions. However, every now and again, I get the chance to create a map for my own use. These maps tend to be tests of new styles, or ideas I have for a new layout. This was one of the first tests I created for an isometric map style (used at a much larger scale in the map of Rhune). It worked out well, and forms the basis of one of my core styles to this day.
This tutorial covers my entire process for how to draw a map – from start to finish. In this case I’m illustrating a simple town map, but the steps apply to any map. Continue reading “How to draw a map”