Dorne lies at the southern end of Westeros, towards the eastern end. It shares the south coast with Old Town. As you can see from the map, the bulk of Dorne lies south of Kings Landing, and southeast of Highgarden.
It’s always fun to try something new, but in this case the something new was a sci fi galaxy map, and the client was Overbrook Entertainment, and Will Smith. The brief was to create 4 maps for the expanded universe around the movie After Earth. There are a bunch of books and graphic novels associated with the film. Those stories had been written in parallel with the movie development and each had added something to the geography of the universe.
One of the writers on the expanded universe material was an old RPG hand, and noticed that what the worldbuilding needed was reference maps – of the universe, solar system, world, and key city. And so I got a call.
It’s often easier to show how to illustrate a feature on a map, rather than describe it, so here’s how I illustrate a mountain range for fantasy maps:
I hope that sheds some light on the process!
I’ve written up a couple of tutorials before on drawing isometric mountain ranges for fantasy maps – but never more than the pen and ink stage. I’ve had a few requests for how to take this to the next step and colour the mountain ranges.
Note that I use a graphics tablet. You can do this with a mouse and low opacity brushes, but tablets are getting good and relatively cheap. I’d recommend picking up something like the Bamboo Splash if you’re going to be playing around with illustrating maps.
Here’s a quick walkthrough of the four steps I take in my mountain ranges. Continue reading
Often hills are indicated on a map by drawing an outline, but when you have forest on top, that outline gets obscured. So how do you draw forested hills? The trick is to use the detail of the forest to indicate the hills, rather than obscure them.
I’ve realised I have a particular workflow for drawing coastlines in my maps. Here’s a quick walkthrough.
Eric Quigley asked about labeling recently and that prompted me to think a little about how I actually go about labeling a map. Often it’s the last thing to get done, but it’s also the most important. A map without labels is just a pretty picture, it’s not useful. So, it’s worth taking some care getting labels right.
This is a photoshop tutorial, but these techniques are almost identical in Gimp.
Today, a quick one on isometric pen and ink mountain ranges. Continue reading
This article was originally written for people building their own worlds for novel writing, but the process is useful for anyone who wants to create a world and draw a map.
Let’s get one thing out of the way right now.
A map shouldn’t be pretty.
It’s always a little daunting to take on a brand new style of map. When Steve Russell asked for an map inspired by the Orient for Heroes of the Jade Oath I took it on with some trepidation. After a ton of experimenting with textures, brushes and line-styles I came up with a version I was happy with, and this is the result!