In Season 5 Episode 5, Tyrion and Jorah Mormont are heading to Meereen by boat. That’s a careful choice on Jorah’s part, but it goes horribly wrong when they detour through Valyria, in the shadow of the Doom.
So, why go through Valyria? And where is Valyria in context to the rest of Essos?
Dorne lies at the southern end of Westeros, towards the eastern end. It shares the south coast with Old Town. As you can see from the map, the bulk of Dorne lies south of Kings Landing, and southeast of Highgarden.
This is definitely the week of mountain ranges. I had a question on reddit on how to draw mountain ranges that go east-to-west rather than north to south. Here’s a very quick tutorial on the difference. If you want to go deeper into the north-south version, check out this earlier tutorial on mountain ranges.
If you’ve been following along on Google+ you’ve likely seen some notes on a hex mapping project in the works. This hex mapper started as a challenge to myself over the summer when I took a holiday back to visit my parents on Skye:
Not all my maps are of fantasy lands – every now and again, one comes along from the real world. Before Christmas I was asked to map the Mayacamas mountain range for Tricycle Wine Partners, a vineyard in California.
It’s good to hand over final pieces. This one went out the door today – a city map for a client. The combination of detailed line art featured locations and more anonymous shadowed buildings seems to work well.
The featured locations were all drawn at many times their final size. You lose the precise detail when the locations are shrunk down, but the combination of the details provide a sense of the structure.
It’s always a little daunting to take on a brand new style of map. When Steve Russell asked for an map inspired by the Orient for Heroes of the Jade Oath I took it on with some trepidation. After a ton of experimenting with textures, brushes and line-styles I came up with a version I was happy with, and this is the result!
Really quick one today – this is an illustration of how to draw old fashioned coastal waters. Lots of historic maps use rippled lines to indicate the sea. Here’s a couple of quick pointers on reproducing the effect.
1. Add your first ripple
First, draw the coastline in a nice dark brush – or press relatively heavily with your pen (this was a ballpoint on sketchbook paper). Then, pressing more lightly to get a fainter line, draw a parallel line to the coast. Where your coastline is ragged and fractal, this line should be smooth and flowing. Follow the edge, but smooth off the sharper edges. Try to keep the same distance from the coast as you draw.
2. Add in the rest
Now repeat this with successive lines. Each time you add another line, increase the spacing slightly. Also, smooth off the sharper corners of the line inside. If you have an inlet (like I’ve got here), don’t cram the lines in to get through – smooth over the inlet, and draw another set of disconnected ripples within.
This looks good with a light blue wash around the coastal edge, so this doesn’t have to be just a black and white map technique.
Earlier in the week I posted a tutorial on how to draw buildings with the pen tool. But sometimes drawing each building just takes too long. For whole cities, you probably want a quick way to lay in whole blocks of buildings. Photoshop can help – using dynamic brushes. Continue reading →