This isn’t quite as formal as previous tutorials. After I created the tutorial for drawing water, I carried on and quickly coloured and shaded the flagstones. Here’s the video of that process, which fills in a lot of my standard working method – base colour and then a collection of overlay layers to add detailed light and shade.
Lots of people are jumping into the #fridayfiveminutemap and posting phone snaps of their maps. A couple have asked how to take a picture of their map and clean it up a little. This mini tutorial should help with that. The basic idea also works for cleaning up scans, and the techniques are useful in a whole range of places (you can find a version of this geared to Gimp users here).
The dark and foreboding wood is a staple of fantasy literature and our own folklore. Continue reading “How To Draw Forests”
Grasslands are tricky to map. They’re large empty open expanses. But if you just flood fill an area with light green it’ll stand out like a sore thumb against your beautifully rendered mountains and lovingly painted rivers and forests. The colour is tough too – you want it to be a light green without being fluorescent.
I’ve found that the following works well for grasslands: Continue reading “How to Draw Grassland”
Blend modes are a wonderful feature of Photoshop, and also appear in many other programs, including Gimp. Here’s a few I use regularly. I’ve taken the same styles o text and shown how they appear using the different blend modes. Further down, you can see the effect of using a selection of different gradients and setting them to the relevant blend mode. There’s a breakdown of each blend mode after the jump.
Today I’m walking through my method for colouring trees quickly for RPG maps. This follows on from this mini-tute/discussion on different tree styles from last week. I’m working with style 1 from that tutorial here, though it can be directly applied to the other styles just as easily.
The problem with trees is the leaves. Continue reading “How to colour quick trees for RPG maps”
The human eye looks for detail and texture, or patterns and regularity. If you use a hard edged round brush in your work, there will be hard edged circles in your work. We’re very good at picking them out, so your audience will see them. On the other hand, if you use a brush with splattered edges, a random orientation and a variable size then there will be no pattern anywhere. Then the human eye sees other patterns and forms. It sees texture that isn’t there, and fills in regions with the texture it believes it should see. Continue reading “How to make a grungy brush – Photoshop”
How do you take a dungeon map like this one from the previous tutorial and add colour? An isometric map is a little trickier than a top down map. Without a solid edge to use as a selection, we can’t use the tricks we use for top down dungeon maps. Instead I colour by hand. It’s not that hard – here’s the steps I use.
It’s often the case that you find that you have a map from an adventure that has labels on it. You need to remove the labels before you show it to your players or they’ll know where the bad guys are. On many maps this is actually pretty easy. Continue reading “How to remove labels from maps”